Terra Spatium Navis: a New Fluorescent Painting in a Space Travel Series by Tim Lane

Terra Spatium Navis is another painting in which I try to depict a broad idea—the idea that a future spaceship might not look like what we are accustomed to, or that space travel might involve an object other than a spaceship, and, that space travel might take place between the fabric of space and time instead of through it. Some of you might be familiar with our 2017 visitor, Oumuamua—the first interstellar object detected passing through our solar system. It grabbed my attention. What was it? Asteroid? Former comet? Extraterrestrial spy? Reddish in color, cigar-shaped and with a confounding constant rate of acceleration, it’s all conjecture, really, as scientists couldn’t observe it long or well enough. And now it’s gone. But that visit, as well as these other ideas, continue to orbit in and out of a solar system within my imagination.

Terra Form

SWAGGY Side Walk Pics by Tim Lane

When Covid set in, I started to walk through my East Side hood more than usual. I have always sauntered through it deep in thought. During one walk, I noticed that somebody had scrawled SWAG in wet cement on a sidewalk along the north side of Michigan Avenue. My series of SWAG walk pics was born. Every time I passed by, I would snap a pic. Sometimes I would snap a burst of photos as I approached and passed over SWAG. Other times I would stop and position my feet in what I hoped would create an interesting composition. A couple of years have passed. I have captured at least a hundred SWAG pics. I post them in my stories.

This spring, @beckysresearch posted a SWAG pic challenge. I had posted the pic below. The pic with the neon pink leg warmers hit my IG messages. I posted a week or so later with the black Vans. @beckysresearch replied in black flats.

@beckysresearch and I met through a local coffee house several years ago. Covid has been hard on everyone, but people are exercising again. We invite you to take your own SWAG walks and upload your own swaggy pics. Just be sure to tag us so I can continue to catalog the photos with a hashtag! I am fond of series. If you search #thelivesofchairs and #tabletablettableau you will find my other series.

Paintings in a Series by Tim Lane

I always paint a series. I have very, very few one offs. So far I am pretty happy with this new series of fluorescent paintings. The colors are reenergizing. They’re not me necessarily, but they could be you. I am not bold and flamboyant, but then again I refuse to be blasé and unoriginal. These paintings are all in the shop, except for one which has sold. Links in bio.

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Re-entry: another interpretation by Tim Lane

I am really digging these fluorescent colors. Bring on spring and summer! I think about space exploration, and a quantum future, a lot. But I think we need to fix this planet, as well. We need to be working on leaving and staying on this planet in equal measures. Earth should be home base for as long as our sun will allow.

Re-entry

Review of Connor Coyne's The Darkest Road by Tim Lane

5 out of 5 stars, reviewed by me.

The Darkest Road (the third book in Connor Coyne’s Urbantasm series) contains relatable and lovable characters who have become more complex, as has the story. Akawe’s parallels to Flint are all there for any reader who grew up in Flint, and for any others who want to know what it was like. I found myself really pulling for the entire cast of characters, but especially for John and Selby. There’s a lot going on in this novel. Books one and two have set it up. The intricacy and scope of the overarching plot is impressive, and the action and drama really pick up here. Coyne’s sense of poeticism and unabashed maximalism are fine-tuned and in good form. I’m a fan. In this third book, the characters have hit high school. They are dealing with intense emotions, the confusion of adolescence and Akawe’s troubled economy. John Bridge struggles to cope with the challenges his parents are presented with as Akawe’s auto industry continues to crumble, abandoned houses are burned to the ground and urban blight becomes a deeper reality. The dark secrets and past events that motivate Selby, and come to consume John, propelled me along. The web of public school life, auto history, raves and parties and old neighborhoods transformed by hard times, gangs and drug dealing is rich and complex. The themes of mortality, loyalty, morality, growth, decay and God are all there, too. Coyne packs in as much as he can, and he does it well. I’m looking forward to Book 4: The Spring Storm.

Connor Coyne (he/him) is a writer living and working in Flint, Michigan.

Connor has published several novels and a short story collection, and his work has been featured in Vox.comBelt Magazine, and elsewhere. He is the director of the Flint-based Gothic Funk Press and is facilitator for the Flint Public Library‘s writing workshops.

Connor is a graduate of the University of Chicago and holds an MFA in Creative Writing from the New School. Today, he lives with his wife and two daughters in Flint’s College Cultural Neighborhood (aka the East Village), less than a mile from the house where he grew up.

Connor Coyne dot com

Connor Coyne

Re-entry: a New Painting by Tim Lane

Really happy with this weekend’s painting results. Taking new risks. I think it’s paying off.

Terra Form: a New Painting by Tim Lane

This new painting is a small piece on paper, 8”x8”. It’s hard to capture the glow of fluorescent colors, but this is pretty close. The color is very close; the glow of the fluorescent paint is a bit absent. I’ve really enjoyed working with these hot colors lately. They make me happy.

Terra Form, 2023, 8”x8”